Once again, incidentally, the CBFC's moral opinions deprive us of a few laughs, be it characters discussing genitalia, or cursing their mouths off. Those are clear signs of an anxious and over-indulgent writer, one who's always on the lookout to cram another zinger, and continually distract you from the never-ending action fodder – paired with various 70s' classic rock hits – being played out over the galaxy. 2 has a 15-minute longer runtime than its predecessor, and contains as many as five (yes, five) mid-credits sequences. That's no easy feat, considering Guardians of the Galaxy Vol. Unfortunately, Gunn doesn't seem to share the studio's confidence in him, and ends up over-stuffing the sequel with way too much. Gunn has seen fit to double down on what endeared the original to its audience, in a bid to recapture that charm which raked in millions. On the first, Gunn contributed to the script alongside screenwriter Nicole Perlman, whose next Marvel adventure is Brie Larson-starrer Captain Marvel. 2, owing to the cassette-tape fancy of its makers – to Gunn, who assumed the dual role of writing and direction. When director James Gunn gave us the irreverent and oddball Guardians of the Galaxy in 2014, the reasons it worked were three-fold: for one, it split away from the habit of fellow Marvel movies to drown themselves in self-seriousness two, it contained a constant sprinkling of wise-cracks, even to the point of feeling forced and three, it upended the visual and aural palette that superhero films had attached themselves to, post the success of Bryan Singer's X-Men, at the start of the century.Īnd it worked so well, in fact, that Disney felt confident to hand full creative control on the film's sequel – titled Guardians of the Galaxy Vol.
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